The ES-3 actually requires an additional module (the ES-5) to connect to the expanders. Since it's an expander, it requires an intermediate module like the ES-40 (SPIDF) or the ES-3 (ADAT) to connect to your audio interface. Otherwise there is the ESX-8MD expander that provides 8 MIDI (or DIN sync) outputs. It uses a single analog audio output and provides a single MIDI output. The simplest and cheapest way to get going is the USAMO. What devices/modules you need depends on your audio interface, your desired number of MIDI outputs, and your budget. Silent Way is the software that generates the clock, but you need one or more hardware devices to turn that raw signal into a usable MIDI clock (well, any MIDI message, since it's not limited to just clock). Unfortunately it can be a little tricky to understand if you're not familiar with problem solving these kinds of issues not helped by unhelpful support and an OKAY manual (there are worse out there to be fair) and that's usually the point where most people who've hit a brick wall, give up and sell it.It looks like it based on the videos I've seen, but just to make sure since they're quite old: I can use Silent Way to send clock from Cubase into any audio interface output I'd like, right? The only thing I've found that does, is the ERM Multiclock. In my case I have various different drum machines and synths all with their own interpretations of the sync clock. If you have multiple, you start running into problems and that's when a Multiclock comes to the rescue. If you have one or two devices, sure Ableton's sync solutions can help. The more devices the more sync problems you have. FOr example, some may have just one external device. The ERM Multiclock is the industry standard device for sync'ing out of the box instruments with in the box instruments.Įvery person's midi requirements are different however. Have any users of the Multiclock come across and resolved this issue? It's driving me crazy as the Multiclock just seems like it's routing, but not actually controlling.Į-RM have not been responding to emails, so looking here for help! The Multiclock physical controls have no effect on any Midi Din output channel. I have tried this with a Sub37, Summit and Pulse 2. If I turn Multiclock Shuffle to 99%, the recorded audio is still on the grid (sync with metronome) If I turn the Multiclock Shift to +100ms, the recorded audio is still on the grid (sync with metronome) If I turn the Multiclock Shift to -100ms, the recorded audio is still on the grid (sync with metronome) My problem is, that the physical controls on the Multiclock do not affect the Sub37 or the recorded audio. Recorded audio (Monitor Off) on the Audio Track is perfectly in sync with the metronome - OK Audio from the Sub37 is routed from RME UCX Input #6 to Ableton Audio Track - OKħ. Multiclock forwards the Midi notes to Multiclock Midi Din Output #2 which is connected to the Sub 37 - OKĦ. External Instrument is used to send Midi notes to the Multiclock via USB - OKĥ. Changing BPM in Ableton, changes the BPM on the Multiclock - OKĤ. E-RM receives the audio signal and sets the clock - OKģ. E-RM plugin is setup on a standard Midi Track sending an audio signal out from RME UCX output #6 to Multiclock audio in - OKĢ. Just using one synth (Sub37) to start simple.ġ. I'm having an issue with setting up the E-RM Multiclock with Ableton.
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